Wednesday, October 5, 2011

10.5.11

FRESHMEN HOMEWORK 10.5.11
Today in class we began our second round of thesis essays. Please make sure to complete the following sheet according to my instructions and have it completed by MONDAY. Tomorrow we will be working on test prep for FRIDAY'S TEST.











































































Sophomore Homework 10.5.11
HOMEWORK:   


Please read the following excerpt. 
As you read you will notice certain words have been highlighted.
After you have finished reading, I would like you to "Do now" them: 
1) copy down the highlighted words 
2) record the definition for the words and
3) create a sentence using that word. 

After completing this activity, please answer the guided questions that follow. 
Keep in mind that each answer should not only address the question completely, but also include "evidence to support [your] analysis" in the form of quotations from the text.



[Knocking within. Enter a Porter]
    • Porter. Here's a knocking indeed! If a
      man were porter of hell-gate, he should have
      old turning the key.
      [Knocking within] 750
      Knock,
      knock, knock! Who's there, i' the name of
      Beelzebub? Here's a farmer, that hanged
      himself on the expectation of plenty: come in
      time; have napkins enow about you; here 755
      you'll sweat for't.
      [Knocking within]
      Knock,
      knock! Who's there, in the other devil's
      name? Faith, here's an equivocator, that could 760
      swear in both the scales against either scale;
      who committed treason enough for God's sake,
      yet could not equivocate to heaven: O, come
      in, equivocator.
      [Knocking within] 765
      Knock,
      knock, knock! Who's there? Faith, here's an
      English tailor come hither, for stealing out of
      a French hose: come in, tailor; here you may
      roast your goose. 770
      [Knocking within]
      Knock,
      knock; never at quiet! What are you? But
      this place is too cold for hell. I'll devil-porter
      it no further: I had thought to have let in 775
      some of all professions that go the primrose
      way to the everlasting bonfire.
      [Knocking within]
      Anon, anon! I pray you, remember the porter.
      [Opens the gate]
          [Enter MACDUFF and LENNOX]
            • Macduff. Was it so late, friend, ere you went to bed,
              That you do lie so late?
            • Porter. 'Faith sir, we were carousing till the
              second cock: and drink, sir, is a great 785
              provoker of three things.
            • Macduff. What three things does drink especially provoke?
            • Porter. Marry, sir, nose-painting, sleep, and
              urine. Lechery, sir, it provokes, and unprovokes;
              it provokes the desire, but it takes 790
              away the performance: therefore, much drink
              may be said to be an equivocator with lechery:
              it makes him, and it mars him; it sets
              him on, and it takes him off; it persuades him,
              and disheartens him; makes him stand to, and 795
              not stand to; in conclusion, equivocates him
              in a sleep, and, giving him the lie, leaves him.
            • Macduff. I believe drink gave thee the lie last night.
            • Porter. That it did, sir, i' the very throat on
              me: but I requited him for his lie; and, I 800
              think, being too strong for him, though he took
              up my legs sometime, yet I made a shift to cast
              him.
            • Macduff. Is thy master stirring?
              [Enter MACBETH] 805
              Our knocking has awaked him; here he comes.
            • Lennox. Good morrow, noble sir.
            • Macduff. Is the king stirring, worthy thane?
            • Macduff. He did command me to call timely on him:
              I have almost slipp'd the hour.
            • Macduff. I know this is a joyful trouble to you;
              But yet 'tis one. 815
            • Macbeth. The labour we delight in physics pain.
              This is the door.
            • Macduff. I'll make so bold to call,
              For 'tis my limited service.
              [Exit]
                • Lennox. Goes the king hence to-day?
                • Macbeth. He does: he did appoint so.
                • Lennox. The night has been unruly: where we lay,
                  Our chimneys were blown down; and, as they say,
                  Lamentings heard i' the air; strange screams of death, 825
                  And prophesying with accents terrible
                  Of dire combustion and confused events
                  New hatch'd to the woeful time: the obscure bird
                  Clamour'd the livelong night: some say, the earth
                  Was feverous and did shake. 830
                • Lennox. My young remembrance cannot parallel
                  A fellow to it.
                  [Re-enter MACDUFF]
                    • Macduff. O horror, horror, horror! Tongue nor heart 835
                      Cannot conceive nor name thee!
                    • Macbeth. [with Lennox] What's the matter.
                    • Macduff. Confusion now hath made his masterpiece!
                      Most sacrilegious murder hath broke ope
                      The Lord's anointed temple, and stole thence 840
                      The life o' the building!
                    • Macbeth. What is 't you say? the life?
                    • Lennox. Mean you his majesty?
                    • Macduff. Approach the chamber, and destroy your sight
                      With a new Gorgon: do not bid me speak; 845
                      See, and then speak yourselves.
                      [Exeunt MACBETH and LENNOX]
                      Awake, awake!
                      Ring the alarum-bell. Murder and treason!
                      Banquo and Donalbain! Malcolm! awake! 850
                      Shake off this downy sleep, death's counterfeit,
                      And look on death itself! up, up, and see
                      The great doom's image! Malcolm! Banquo!
                      As from your graves rise up, and walk like sprites,
                      To countenance this horror! Ring the bell. 855
                      [Bell rings]
                          [Enter LADY MACBETH]
                            • Lady Macbeth. What's the business,
                              That such a hideous trumpet calls to parley
                              The sleepers of the house? speak, speak! 860
                            • Macduff. O gentle lady,
                              'Tis not for you to hear what I can speak:
                              The repetition, in a woman's ear,
                              Would murder as it fell.
                              [Enter BANQUO] 865
                              O Banquo, Banquo,
                              Our royal master 's murder'd!
                            • Banquo. Too cruel any where. 870
                              Dear Duff, I prithee, contradict thyself,
                              And say it is not so.
                              [Re-enter MACBETH and LENNOX, with ROSS]
                                • Macbeth. Had I but died an hour before this chance,
                                  I had lived a blessed time; for, from this instant, 875
                                  There 's nothing serious in mortality:
                                  All is but toys: renown and grace is dead;
                                  The wine of life is drawn, and the mere lees
                                  Is left this vault to brag of.
                                  [Enter MALCOLM and DONALBAIN]
                                    • Macbeth. You are, and do not know't:
                                      The spring, the head, the fountain of your blood
                                      Is stopp'd; the very source of it is stopp'd.
                                    • Macduff. Your royal father 's murder'd. 885
                                    • Lennox. Those of his chamber, as it seem'd, had done 't:
                                      Their hands and faces were an badged with blood;
                                      So were their daggers, which unwiped we found
                                      Upon their pillows: 890
                                      They stared, and were distracted; no man's life
                                      Was to be trusted with them.
                                    • Macbeth. O, yet I do repent me of my fury,
                                      That I did kill them.
                                    • Macduff. Wherefore did you so? 895
                                    • Macbeth. Who can be wise, amazed, temperate and furious,
                                      Loyal and neutral, in a moment? No man:
                                      The expedition my violent love
                                      Outrun the pauser, reason. Here lay Duncan,
                                      His silver skin laced with his golden blood; 900
                                      And his gash'd stabs look'd like a breach in nature
                                      For ruin's wasteful entrance: there, the murderers,
                                      Steep'd in the colours of their trade, their daggers
                                      Unmannerly breech'd with gore: who could refrain,
                                      That had a heart to love, and in that heart 905
                                      Courage to make 's love known?
                                    • Malcolm. [Aside to DONALBAIN] Why do we hold our tongues,
                                      That most may claim this argument for ours? 910
                                    • Donalbain. [Aside to MALCOLM] What should be spoken here,
                                      where our fate,
                                      Hid in an auger-hole, may rush, and seize us?
                                      Let 's away;
                                      Our tears are not yet brew'd. 915
                                    • Malcolm. [Aside to DONALBAIN] Nor our strong sorrow
                                      Upon the foot of motion.
                                    • Banquo. Look to the lady:
                                      [LADY MACBETH is carried out]
                                      And when we have our naked frailties hid, 920
                                      That suffer in exposure, let us meet,
                                      And question this most bloody piece of work,
                                      To know it further. Fears and scruples shake us:
                                      In the great hand of God I stand; and thence
                                      Against the undivulged pretence I fight 925
                                      Of treasonous malice.
                                    • Macbeth. Let's briefly put on manly readiness,
                                      And meet i' the hall together. 930
                                    • All. Well contented.
                                      [Exeunt all but Malcolm and Donalbain.]
                                        • Malcolm. What will you do? Let's not consort with them:
                                          To show an unfelt sorrow is an office
                                          Which the false man does easy. I'll to England. 935
                                        • Donalbain. To Ireland, I; our separated fortune
                                          Shall keep us both the safer: where we are,
                                          There's daggers in men's smiles: the near in blood,
                                          The nearer bloody.
                                        • Malcolm. This murderous shaft that's shot 940
                                          Hath not yet lighted, and our safest way
                                          Is to avoid the aim. Therefore, to horse;
                                          And let us not be dainty of leave-taking,
                                          But shift away: there's warrant in that theft
                                          Which steals itself, when there's no mercy left. 945
                                          [Exeunt]


                                          Study Questions:


                                          1. Give two indications in this scene to show that Macbeth is growing hard-hearted.
                                          2. Did Lady Macbeth faint or only pretend to? Give reasons for your answer.
                                          3. When did Macbeth kill the guards? Quote the lines in which he says that he did.



                                          Senior Homework 10.5.11
                                           

                                          HOMEWORK: 
                                          Please read the following excerpt. 
                                          As you read you will notice certain words have been highlighted.
                                          After you have finished reading, I would like you to "Do now" them: 
                                          1) record the highlighted words 
                                          2) record the definition for the words and
                                          3) create a sentence using each word. 

                                          After completing this activity, please answer the guided questions that follow. 
                                          Keep in mind that each answer should not only address the question completely, but also include "evidence to support [your] analysis" in the form of quotations from the text.


                                          ACT THREE SCENE ONE



                                          Enter King, Queen, Polonius, Ophelia, Rosencrantz, Guildenstern,
                                              and Lords.
                                                • Claudius. And can you by no drift of circumstance
                                                  Get from him why he puts on this confusion,
                                                  Grating so harshly all his days of quiet 1685
                                                  With turbulent and dangerous lunacy?
                                                • Rosencrantz. He does confess he feels himself distracted,
                                                  But from what cause he will by no means speak.
                                                • Guildenstern. Nor do we find him forward to be sounded,
                                                  But with a crafty madness keeps aloof 1690
                                                  When we would bring him on to some confession
                                                  Of his true state.
                                                • Guildenstern. But with much forcing of his disposition. 1695
                                                • Rosencrantz. Niggard of question, but of our demands
                                                  Most free in his reply.
                                                • Gertrude. Did you assay him
                                                  To any pastime?
                                                • Rosencrantz. Madam, it so fell out that certain players 1700
                                                  We o'erraught on the way. Of these we told him,
                                                  And there did seem in him a kind of joy
                                                  To hear of it. They are here about the court,
                                                  And, as I think, they have already order
                                                  This night to play before him. 1705
                                                • Polonius. 'Tis most true;
                                                  And he beseech'd me to entreat your Majesties
                                                  To hear and see the matter.
                                                • Claudius. With all my heart, and it doth much content me
                                                  To hear him so inclin'd. 1710
                                                  Good gentlemen, give him a further edge
                                                  And drive his purpose on to these delights.
                                                  Exeunt Rosencrantz and Guildenstern.
                                                    • Claudius. Sweet Gertrude, leave us too; 1715
                                                      For we have closely sent for Hamlet hither,
                                                      That he, as 'twere by accident, may here
                                                      Affront Ophelia.
                                                      Her father and myself (lawful espials)
                                                      Will so bestow ourselves that, seeing unseen, 1720
                                                      We may of their encounter frankly judge
                                                      And gather by him, as he is behav'd,
                                                      If't be th' affliction of his love, or no,
                                                      That thus he suffers for.
                                                    • Gertrude. I shall obey you; 1725
                                                      And for your part, Ophelia, I do wish
                                                      That your good beauties be the happy cause
                                                      Of Hamlet's wildness. So shall I hope your virtues
                                                      Will bring him to his wonted way again,
                                                      To both your honours. 1730
                                                      [Exit Queen.]
                                                        • Polonius. Ophelia, walk you here.- Gracious, so please you,
                                                          We will bestow ourselves.- [To Ophelia] Read on this book,
                                                          That show of such an exercise may colour 1735
                                                          Your loneliness.- We are oft to blame in this,
                                                          'Tis too much prov'd, that with devotion's visage
                                                          And pious action we do sugar o'er
                                                          The Devil himself.
                                                        • Claudius. [aside] O, 'tis too true! 1740
                                                          How smart a lash that speech doth give my conscience!
                                                          The harlot's cheek, beautied with plast'ring art,
                                                          Is not more ugly to the thing that helps it
                                                          Than is my deed to my most painted word.
                                                          O heavy burthen! 1745
                                                        • Polonius. I hear him coming. Let's withdraw, my lord.
                                                          Exeunt King and Polonius].
                                                              Enter Hamlet.
                                                                • Hamlet. To be, or not to be- that is the question:
                                                                  Whether 'tis nobler in the mind to suffer 1750
                                                                  The slings and arrows of outrageous fortune
                                                                  Or to take arms against a sea of troubles,
                                                                  And by opposing end them. To die- to sleep-
                                                                  No more; and by a sleep to say we end
                                                                  The heartache, and the thousand natural shocks 1755
                                                                  That flesh is heir to. 'Tis a consummation
                                                                  Devoutly to be wish'd. To die- to sleep.
                                                                  To sleep- perchance to dream: ay, there's the rub!
                                                                  For in that sleep of death what dreams may come
                                                                  When we have shuffled off this mortal coil, 1760
                                                                  Must give us pause. There's the respect
                                                                  That makes calamity of so long life.
                                                                  For who would bear the whips and scorns of time,
                                                                  Th' oppressor's wrong, the proud man's contumely,
                                                                  The pangs of despis'd love, the law's delay, 1765
                                                                  The insolence of office, and the spurns
                                                                  That patient merit of th' unworthy takes,
                                                                  When he himself might his quietus make
                                                                  With a bare bodkin? Who would these fardels bear,
                                                                  To grunt and sweat under a weary life, 1770
                                                                  But that the dread of something after death-
                                                                  The undiscover'd country, from whose bourn
                                                                  No traveller returns- puzzles the will,
                                                                  And makes us rather bear those ills we have
                                                                  Than fly to others that we know not of? 1775
                                                                  Thus conscience does make cowards of us all,
                                                                  And thus the native hue of resolution
                                                                  Is sicklied o'er with the pale cast of thought,
                                                                  And enterprises of great pith and moment
                                                                  With this regard their currents turn awry 1780
                                                                  And lose the name of action.- Soft you now!
                                                                  The fair Ophelia!- Nymph, in thy orisons
                                                                  Be all my sins rememb'red.
                                                                • Ophelia. Good my lord,
                                                                  How does your honour for this many a day? 1785
                                                                • Hamlet. I humbly thank you; well, well, well.
                                                                • Ophelia. My lord, I have remembrances of yours
                                                                  That I have longed long to re-deliver.
                                                                  I pray you, now receive them.
                                                                • Hamlet. No, not I! 1790
                                                                  I never gave you aught.
                                                                • Ophelia. My honour'd lord, you know right well you did,
                                                                  And with them words of so sweet breath compos'd
                                                                  As made the things more rich. Their perfume lost,
                                                                  Take these again; for to the noble mind 1795
                                                                  Rich gifts wax poor when givers prove unkind.
                                                                  There, my lord.
                                                                • Hamlet. Ha, ha! Are you honest?
                                                                • Ophelia. What means your lordship?
                                                                • Hamlet. That if you be honest and fair, your honesty should admit no
                                                                  discourse to your beauty.
                                                                • Ophelia. Could beauty, my lord, have better commerce than with honesty?
                                                                • Hamlet. Ay, truly; for the power of beauty will sooner transform 1805
                                                                  honesty from what it is to a bawd than the force of honesty can
                                                                  translate beauty into his likeness. This was sometime a paradox,
                                                                  but now the time gives it proof. I did love you once.
                                                                • Ophelia. Indeed, my lord, you made me believe so.
                                                                • Hamlet. You should not have believ'd me; for virtue cannot so 1810
                                                                  inoculate our old stock but we shall relish of it. I loved you
                                                                  not.
                                                                • Hamlet. Get thee to a nunnery! Why wouldst thou be a breeder of
                                                                  sinners? I am myself indifferent honest, but yet I could accuse 1815
                                                                  me of such things that it were better my mother had not borne me.
                                                                  I am very proud, revengeful, ambitious; with more offences at my
                                                                  beck than I have thoughts to put them in, imagination to give
                                                                  them shape, or time to act them in. What should such fellows as I
                                                                  do, crawling between earth and heaven? We are arrant knaves all; 1820
                                                                  believe none of us. Go thy ways to a nunnery. Where's your
                                                                  father?
                                                                • Hamlet. Let the doors be shut upon him, that he may play the fool
                                                                  nowhere but in's own house. Farewell. 1825
                                                                • Ophelia. O, help him, you sweet heavens!
                                                                • Hamlet. If thou dost marry, I'll give thee this plague for thy dowry:
                                                                  be thou as chaste as ice, as pure as snow, thou shalt not escape
                                                                  calumny. Get thee to a nunnery. Go, farewell. Or if thou wilt
                                                                  needs marry, marry a fool; for wise men know well enough what 1830
                                                                  monsters you make of them. To a nunnery, go; and quickly too.
                                                                  Farewell.
                                                                • Ophelia. O heavenly powers, restore him!
                                                                • Hamlet. I have heard of your paintings too, well enough. God hath
                                                                  given you one face, and you make yourselves another. You jig, you 1835
                                                                  amble, and you lisp; you nickname God's creatures and make your
                                                                  wantonness your ignorance. Go to, I'll no more on't! it hath made
                                                                  me mad. I say, we will have no moe marriages. Those that are
                                                                  married already- all but one- shall live; the rest shall keep as
                                                                  they are. To a nunnery, go. Exit. 1840
                                                                • Ophelia. O, what a noble mind is here o'erthrown!
                                                                  The courtier's, scholar's, soldier's, eye, tongue, sword,
                                                                  Th' expectancy and rose of the fair state,
                                                                  The glass of fashion and the mould of form,
                                                                  Th' observ'd of all observers- quite, quite down! 1845
                                                                  And I, of ladies most deject and wretched,
                                                                  That suck'd the honey of his music vows,
                                                                  Now see that noble and most sovereign reason,
                                                                  Like sweet bells jangled, out of tune and harsh;
                                                                  That unmatch'd form and feature of blown youth 1850
                                                                  Blasted with ecstasy. O, woe is me
                                                                  T' have seen what I have seen, see what I see!
                                                                  Enter King and Polonius.
                                                                    • Claudius. Love? his affections do not that way tend;
                                                                      Nor what he spake, though it lack'd form a little, 1855
                                                                      Was not like madness. There's something in his soul
                                                                      O'er which his melancholy sits on brood;
                                                                      And I do doubt the hatch and the disclose
                                                                      Will be some danger; which for to prevent,
                                                                      I have in quick determination 1860
                                                                      Thus set it down: he shall with speed to England
                                                                      For the demand of our neglected tribute.
                                                                      Haply the seas, and countries different,
                                                                      With variable objects, shall expel
                                                                      This something-settled matter in his heart, 1865
                                                                      Whereon his brains still beating puts him thus
                                                                      From fashion of himself. What think you on't?
                                                                    • Polonius. It shall do well. But yet do I believe
                                                                      The origin and commencement of his grief
                                                                      Sprung from neglected love.- How now, Ophelia? 1870
                                                                      You need not tell us what Lord Hamlet said.
                                                                      We heard it all.- My lord, do as you please;
                                                                      But if you hold it fit, after the play
                                                                      Let his queen mother all alone entreat him
                                                                      To show his grief. Let her be round with him; 1875
                                                                      And I'll be plac'd so please you, in the ear
                                                                      Of all their conference. If she find him not,
                                                                      To England send him; or confine him where
                                                                      Your wisdom best shall think.
                                                                    • Claudius. It shall be so. 1880
                                                                      Madness in great ones must not unwatch'd go. Exeunt.

                                                                    Questions:
                                                                    1. How can we characterize OPHELIA?
                                                                    2. Why does Hamlet suggest she go to a nunnery?

                                                                    No comments:

                                                                    Post a Comment